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One Piece The Movie 2012 *FINAL CAST (spoilers) Shabondy, Impel Down and War arcs
We’ve included some information on each page for your reading. Star Trek Sequel Set for June 29, 2012
Paramount Pictures has pinned down a tentative release date for J.J. Abrams’ untitled Star Trek sequel on the coveted pre-4th of July weekend of June 29, 2012, COMINGSOON.NET reports. Little else is known about the project, except most of the cast in the first movie is not expected to return.
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Step Lively is based on the hit Broadway farce Room Service, which had already served as a Marx Brothers vehicle by the time it got this 1944 re-do. The breathless plot is about a theater producer trying to close a deal while staying ahead of some hand-wringing hotel managers, who would understandably like to be paid for putting up his entourage while rehearsals are in session. A variety of songs and dances are crammed into this labored structure, some of delivered in the sweet youthful tones of Frank Sinatra (as a playwright who also happens to sing like an angel). The impresario is played by George Murphy, a light-footed dancer at his most obnoxious here (he was a future U.S. Senator from California), and the impatient hotel managers are Adolphe Menjou and a deadpan Walter Slezak. The songs are by Sammy Cahn and Jule Styne, and Sinatra gets to croon "As Long as There's Music," but by the time the show-stoppers from the stage musical take over, the movie has gone way, way over the top. The early look at skinny Frankie is worth it, but you have to have a high tolerance for noise to endure the rest. --Robert Horton
Thousands of years ago, Stargate technology from an ancient alien civilization on Earth was lost. The keepers of this technology were regarded as gods. Mayan prophecy predicts that this lost Stargate technology will be rediscovered by the year 2012, marking the dawn of a new age, the birth of a new type of human, and a shift in the matrix of reality.Disk 1: Surfing the Tides of the Milky Way.Nobody knows for sure what will happen in the year 2012. However, ancient legend speaks of a giant pulsating beam or wave of light consisting of enlightenment particles that will emanate from heaven, penetrating the planet and all life on Earth. Join investigative mythologist and author William Henry on a journey of discovery to explore our galactic core and a new Milky Way based Metaphysics. Using stunning Hubble telescope images of galaxies and amazing images of crop circles that defy explanation, William Henry will untie the superstrings of Stargate 2012, and unite crop circles with the Milky Way, and ancient Egypt with this rising new spirituality. Surf's up in hyper space! It's Stargate 2012 time.Disk 2: Living the Re-EvolutionAn ancient prophecy, a miraculous new spiritual technology, a bright new world. In the books Cloak of the Illuminati, Oracle of the Illuminati and Empire of the Illuminati investigative mythologist William Henry has analyzed the most cryptic symbols of 2012. In this program, you will see how the pieces of this puzzle, together with Sumerian, Egyptian and Mayan artwork and symbolism, reveal a shared vision held by these diverse cultures a vision of the Stargate of the Gods, which was considered to be a Stairway to Heaven according to their shared beliefs. Join investigative mythologist and author William Henry as he compares these images with those of modern science to present the background for a revival of the human race which is beginning to unfold right now, before our eyes.System Requirements:Running Time: 210 MinutesFormat: DVD MOVIE
What can I say about 2012? The special effects are amazing… everything else, not so much. The script is horrible, most of the acting is cheesy and the film is waaaaay too long at two hours and forty minutes. There so many things to snicker at in this movie, it’s difficult to know where to begin. The only reason the movie merits even a 4 out of 10 is because there is about a half hour of pure movie thrills that will leave you gasping for air. So roughly one-fifth of the movie is good. The rest is fairly awful.
2012 is simply about people trying to survive the end of the world. Director Roland Emmerich has plenty of experience with disaster movies. He directed Independence Day (his best film by far), Godzilla and The Day After Tomorrow and clearly has an affinity for destroying the world. Really, how many times can one man include a scene where the White House gets demolished? It’s time to move on Roland. Perhaps you should revisit your sci-fi Stargate days. Don’t get me wrong. Emmerich blows things up with style, but it’s becoming a bit old and predictable.
2012 wouldn’t even be all that bad if it weren’t for the atrocious script by Emmerich and Harald Kloser. There are so many bad lines and ridiculous moments you’ll be stunned. I don’t even mean any of the action sequences. I’m always ready to suspend my disbelief when it comes to special effects magic, but it’s all the little things that begin to add up throughout the course of the film that takes you out of the fun of it all. A perfect example would be the use of cell phones. After the complete and utter destruction of their home and the state of California, Jack (John Cusack) and his wife are able to talk to each other on their phones. I’m pretty sure that the cell towers would be off line after a disaster of that magnitude. I can’t even get reception when I drive on a certain part of the parkway. Who’s their coverage provider, Verizon or Sprint? One character actually makes a call seconds before him and his family are about to be swallowed by a three mile high tidal wave. Is this really the time to reach out and touch someone? I’m surprised they didn’t show him updating his Facebook status! Perhaps my favorite ludicrous moment is when Cusack and friends are taking off in a big jet as the airport around them is being destroyed. Again it’s not about the fact that they are able to take off amid all the destruction, I’m down with that, it’s the awful dialogue that accompanies it. As the plane is taking off, the air traffic controller is screaming at the pilot, telling him to abort. “You do not have clearance, you must abort!” The airport is being swallowed by the Earth and this guy is telling them it’s too dangerous to take off. Would there really still be someone in the tower doing their job? Somehow, I doubt it. I can go on and on with examples, but you get the point.
Although skilled at visual effects, Emmerich has no real skill with actors. Some of the actors are just fine, but by and large, most of the cast turns in wooden, unbelievable performances. In their defense, there wasn’t all that much to work with as the characters are of the cookie cutter variety that you’ve seen countless times before; there’s the divorced guy who neglects his kids, his ex-wife and new boyfriend, the heartless politician and the selfless, compassionate president of the U.S. Pretty much the same characters that were in The Day After Tomorrow and every other disaster movie you’ve ever seen. Thank God for John Cusack who is quite good as the father trying to keep his kids and ex-wife safe. I will admit that I am a big fan of Mr. Cusack and always enjoy watching him. Woody Harrelson is also very funny as a conspiracy nut that isn’t quite as crazy as he seems. The rest of the cast doesn’t fare as well but again the script is terrifically bad. A special shout out to Oliver Platt as a slimy politician. I wanted to punch him in the face the whole movie so I guess he did his job.
As I said earlier, there are some really entertaining parts; the whole destruction of California sequence being a stand out here. It’s truly exhilarating. Unfortunately those moments are far and few between as the film gets bogged down by clichéd speeches about humanity and useless subplots. All in all, there is a good movie lurking inside this mess somewhere and perhaps you’ll find it if you can successfully turn your brain off for nearly three hours. If you can’t do that, you may find yourself wishing the world would end, just so you can stop watching 2012.
About the Author:
Bill Bonfanti is FilmGo.net’s movie critic and Box office analyst. Every week you will find new reviews and box office predictions for the current crop of films in the theater.
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